“Baba, we love you”, “Baba for president”, “TV is just TV”, “We want the money for gasoline”… 4:15 pm, this Friday, in front of the Paris headquarters of France Télévisions (15th arrondissement). The production of “Touche pas à mon poste” distributes signs to about forty fans of Cyril Hanouna, who responded to the call of We Clap, a specialized agency in invitations to television show tapings.
Brazilian dancers, megaphones, the event was organized to “celebrate” the historic audience record recorded on Thursday evening (more than 3 million viewers gathered on France 2 at 11 pm) by an episode of the magazine “Complément d’enquête” dedicated to the agitated host of C8 and his provocative methods. The small gathering of “fanzouzes” was supposed to be part of a segment, scheduled to be broadcast the same evening on the C8 show, “with the presence of Cyril Hanouna,” promised the announcement. A way to mock the investigative work of France Télévisions on their mentor.
“There are 40 people, including 20 seniors”
The festivities, which were announced as “memorable,” according to the organizers, were disrupted by the presence… of the rapper Booba, former friend and new enemy of Cyril Hanouna, who arrived discreetly shortly before 4 pm with his two bodyguards. “It’s ridiculous, there are 40 people, including 20 seniors. It looks like a soup kitchen. I hope he comes. He’s late. If he backs out, it’s magnificent,” said the rapper, wrapped in a thick navy blue hood and a white Gucci puffer jacket.
What did he think of the famous “Complément d’enquête” to which he participated by granting an interview to presenter Tristan Waleckx? Booba found it “not bad”. “It lacked some spice, but a lot of people are afraid to speak because Hanouna is a semi-mafioso. He intimidates people but the truth will come out,” snickered the rapper, who lives in Miami and landed in Paris Wednesday evening. His presence, announced by himself on his Twitter account, sowed panic in the small production team, who were waiting for the boss at any moment. At the end of the esplanade, three police officers watched over the group.
“It’s a public place, they don’t have the right to kick me out. I’m not armed. I’m not here to go to jail. I don’t shoot at ambulances. I don’t want to fight with Cyril Hanouna. When you have an opponent, when you’re in a war, it amuses me to destroy them. But I could have done without it. It’s good to put people in their place. To know who is who. I’m 46 years old, I’ve been through a lot. He’s a fake thug, a fake hoodlum, a fake alpha male,” said the rapper provocatively.
Quickly recognized by passers-by and Hanouna’s fans, Booba dives into selfies and live streams on social media. The production starts filming. The Brazilian dancers begin to sway and Booba intercepts the megaphone. “This protest is really something,” he sneers before shouting “Baba! Baba! Baba where are you?” The “Touche pas à mon poste” teams continue filming despite it all… At every level of France Télé, employees gather at the windows. “The last time there was so much commotion on this esplanade, it was during a fire alarm test,” jokes, via SMS, a public service employee.
“He just has the hatred of being unmasked and he’s frustrated”
4:20 pm, everyone understands that Hanouna will not come. Booba turns on his heels and decides to leave. “It confirms what I thought. It’s all a bluff, all hot air! He’s the godfather of nothing at all! He just has the hatred of being unmasked yesterday and he’s frustrated. Just propaganda, look! He doesn’t even respect his public since he didn’t come.”
The hatred between Booba and Hanouna continues to grow from small phrases to small phrases. Today, Booba has decided to raise the stakes once again. “I came to see what he’s made of. And also because last time, he made veiled threats. He told me that when I was in the same city as him, I just talked about him on Twitter. So I came in person, to his appointment that he didn’t show up to. I came to face Baba… who isn’t here,” Booba said with a smirk. A final provocation before disappearing behind the tram, proud of his successful provocation.
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